distant signals from the wicked weird cinema of the past
Big lapels, great hair, horny academics, and salty fisherman collide on a lonely island in this early 1970s British proto-slasher flavored with mystery and seaweed.
A confusing vision of the post-apocalypse helped only by the familiar faces you’ve seen elsewhere in better films.
Also known as CRAZED BEAST, this is a lean and lively 1970s bus hijacking b-movie from Toei Movie Company that leaves a bloody trail of wreckage in its wake.
Two kickfighting meatheads reluctantly team up to rescue the kidnapped daughter of a mutual former squeeze. Can they put aside their bitter jealousies to work towards a common goal or will they be compelled to settle their differences during a rainy and completely unnecessary mud wrestling match?
The smoke and sparks fly in Albert Pyun’s post-apocalyptic, quasi-vampire cyborg film made in Moab, Utah.
Armed with a stacked cast of genre movie veterans, a badass lead performer, and an entire warehouse full of cardboard boxes, BALLISTIC is the stuff that b-movie dreams are made of.
Years before the big-budget proselytizing of controversial figures like Mel Gibson or Jim Caviezel hit the screen, an Atlanta-area filmmaker melded moral messaging with the low-budget action ethos of companies like City Lights and PM Entertainment.
An absolute romp of a low-budget 1980s movie that will leave you totally buzzed on wine-fueled horror. Let it breathe, then drink it in.
Death Ray Dive 