Nearly two decades after creating the horror classic, CARNIVAL OF SOULS, director Herk Harvey terrified machinery operators the world over with this violent safety film.

far-off signals from far-out cinema
Nearly two decades after creating the horror classic, CARNIVAL OF SOULS, director Herk Harvey terrified machinery operators the world over with this violent safety film.
An aspiring writer arrives in the big city. The arrival of a mysterious VCR and television in his room correlates with a manic wave of creativity that may not be entirely fiction.
Community Vault was a one-night showcase of community media from local-access stations across my home state that ranged from the absurd to the incredibly poignant.
The criminal activity in Chinatown is escalating and the city’s police department doesn’t have enough resources. Violent gangs perform complex Tai Chi routines with impunity. Thugs in latex Halloween masks kidnap kids in broad daylight. Only a hero with a simple plan can make things right. 1991’s LETHAL NINJA spreads the havoc.
DANCE OR DIE is that rare American independent film that wants us to look at a table full of narcotics and say, “Ha! Cocaine! No big deal.”
Years before it was a hotbed of technological innovation and unaffordable housing, the San Francisco Bay Area was the “headquarters of occult and metaphysical activity in the United States.” This is just one of many bizarre assertions by the creators of the 1972 religious short film, THE OCCULT: AN ECHO FROM DARKNESS, that makes it perfect viewing for the spooky season.